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Monthly Archives: December 2022

Releases: Top 10 Books of 2022

Despite the indisputable importance of digital media in the art world, the appetite for physical books remains undimmed and this year has seen the release of some beautifully crafted works. So, in no particular order, here are our favorite books published in 2022. ‘4000’ by INVADER The Parisian-artist’s global invasion is undoubtedly one of the largest and most ambitious art projects that has ever been undertaken. In addition to photos of all the 4000 pieces which he has created in 80 cities worldwide over the […]

Release/Benefit: Banksy – ‘Fragile/Agile’

Continuing his support for humanitarian causes around the globe, Banksy is releasing a new screen print in partnership with Giles Duley’s Legacy of War Foundation. The proceeds will help those directly impacted by Russia’s illegal invasion of Ukraine by allowing the Foundation to purchase ambulances and generators as the country heads into the harsh winter months. The image features a white mouse whose claw marks, individually made by Banksy with a sharpened pizza cutter, have obscured the first two letters of the work ‘fragile’. The […]

Remembering: Mike Dring

Mike Dring, the gallerist and curator behind Bristol’s Art-El Gallery, sadly passed away last week. During an era when money was increasingly coming to the fore, the Bristol-native was always focused squarely on the art and the artist. He worked with several of the key figures loosely associated with the city’s graffiti scene including Rowdy, Acerone and Mr Jago ensuring they had someone in their corner as street art gained increasing public prominence. The latter remembers Mike as “always being there for encouragement…and for drinking […]

Releases: Barry McGee – ‘Reproduction’ Book

‘I don’t feel like a photographer’ Barry McGee once confessed. So it’s no small irony that Aperture has just released Reproduction, his first book dedicated exclusively to that medium. The book is printed on a contrasting combination of the kind of thick gloss paper which is familiar to the publisher’s usual fine art photography publications and the thinner matte stock which McGee’s images are more commonly printed on in his many zines.  The book collates just a small number of the many photographs that the […]