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Tag Archives: Studio Cromie

Viewpoints: A Reading of Boris Hoppek’s Obama Beach Ball

The following article is a guest post by friend of AM, Peter Bengtsen. He wrote this essay for us after seeing the release of Boris Hoppek’s Obama Beach Ball, the resultant opinions that have been broadcast on the internet in response to the artwork, and the political motivations of the artist himself. We hope you enjoy the article, and that it may bring some clarity both to Hoppek’s project, and a context to this work as part of the artist’s output. Make up your own […]