In December, Tristan Koenig held a special off-site project in Sydney of Ry David Bradley’s new two-sided paintings. The New York-based artist was recently intrigued by a hand written note Not to be Digitized on a cupboard within the New York Public Library’s “Pictures Collection” which contained things like prints, photographs, posters, postcards and illustrations from books, magazines, newspapers and classifieds. This got Bradley thinking about how the postcard still exists, despite its purpose being supplanted by modern forms of communications like social media. Seeing some parallels in the art of painting in modern times lead to the Melbourne-born artist using postcards from Australia as the source of inspiration for these works.
Photo credit: Aujourd’hui.
