The London branch of Massimo De Carlo is currently hosting Let’s Kill Nicole, the newest solo show from Jamian Juliano-Villani. For her second exhibition with the gallery, the American artist has painted a series of surreal pieces (as well as created a cheeky installation featuring a stuffed animal) that showcase her skill with melding photorealistic elements with more abstract and cartoonish details as well as her unique sense of humor. Referencing a diverse mish mash of source material ranging from pop culture to art history, Juliano-Villani’s unlikely amalgamations are surprising and […]
Tag Archives: Jamian Juliano-Villani
On January 11th, Jamian Juliano-Villani will be opening an exhibition in the works for over a year at JTT in New York entitled Ten Pound Hand. As evidenced by her unconventional choice of show title, the New Jersey-raised artist has a dark sense of humor and seemingly has no boundaries her artistic vision. Known for her unsettling amalgamations and appropriation of source materials such as pop culture, movies, and art history, Juliano-Villani’s is sure to excite her fans with some new surreal compositions on her return to the gallery. […]
Currently showing through the end of the month with Massimo De Carlo in Milan is an exhibition from Jamian Juliano-Villani. Entitled Sincerely, Tony, the new body of work from the American artist, who isn’t shy about appropriation, continues her voracious practice of gathering source material from things like as pop culture, TV, magazines, movies, and art, then filtering them through her mind followed by a collage-like approach of rendering them onto canvas into eerie and surreal compositions. Rounding out the exhibition is a site-specific installation that looks […]
Lat month, Studio Voltaire in London opened an exhibition from Jamian Juliano-Villani entitled The World’s Greatest Planet on Earth. For her first solo outside the United States at a public institution, the New York-based artist prepared a series of her painted collages featuring appropriated images, personal photographs, and reproductions of existing artworks, reinterpreted into surreal amalgamations with a touch of dark humor. Along with these paintings, some never before exhibited sculptural installations rounded out the show that will be on view until December 11th. Photos via Studio Voltaire. Discuss Jamian Juliano-Villani here.
To coincide with her show that just opened at Studio Voltaire in London, Jamian Juliano-Villani has also released a new limited edition entitled Is There room for Bruce? The digital pigment print with embossing is sized at 45.7 x 61 cm and produced in a run of 85. Head over here for the £350 purchase if you are interested. Discuss Jamian Juliano-Villani here.
Tomorrow night (September 30th) in London, the preview for the Jamian Juliano-Villani solo show will be opening at the non-profit gallery Studio Voltaire. The New York-based artist’s work is an bizarre amalgamation of popular culture and appropriated material, reinterpreted through the lens of her warped vision which can oftentimes make the viewer uncomfortable and yet intrigued at the same time. Entitled The World’s Greatest Planet on Earth, the exhibition will be the American artist’s first solo presentation in a public institution outside of the US and will include never before exhibited sculptural installations […]
More stories from the week that ended April 3 (click on bolded words for more information): Hammer Museum’s A Shape That Stands Up exhibition is among the critics picks chosen by Frieze for LA. RIP: Zaha Hadid, who passed away at the age of 65 after having a heart attack. Six of her milestone buildings. NY Times has its pick of her seven best designs. Artnet shares the architect’s unfinished designs. 12 of her memorable quotes. Louise Blouin remembers Hadid. Tributes flow in for Hadid. Inspection of Palmyra […]
More stories from the week that ended Jan 31 (click on bolded words for more information): Ken Johnson reviews the Flatlands show at Whitney Museum of American Art. Above: Jamian Juliano-Villani. RIP: Thornton Dial, who passed away at the age of 87. RIP: Yon Pich, who passed away at the age of 81 from complications of an infection. RIP: Howard Koslow, who passed away at the age of 91. First trial to arise from Knoedler Gallery’s forged artworks features Rothko painting bought by Domenico De Sole and his family. WSJ also […]
One of the most anticipated satellite events of this year’s Basel Week Miami was the Larry Gagosian and Jeffrey Deitch collaboration – an exhibition entitled Unrealism. The show opened on the 2nd of December at The Moore Building in the Miami Design District and will stay on view until the 6th of December. Showcasing works by over 50 international artists, this exceptionally well curated show celebrates the recent revival of interest in figurative painting and sculpture. Very diverse in their styles, interest and aesthetics, the selected participants are some of the […]
More stories from the week that ended Sept 14 (click on bolded words for more information): Images and info for Jamian Juliano-Villani’s Nudge the Judge at Tanya Leighton up on gallery’s website. RIP: Dahlia Yehia, 25, who was beaten to death after traveling to Nepal to assist in earthquake relief efforts. RIP: John Perreault, who died at the age of 78 from complications resulting from gastrointestinal surgery. Someone spray-painting “NO MORE CHINESE” graffiti around multiple locations in San Francisco. Anish Kapoor refuses to remove anti-semitic graffiti from his Versailles sculpture after […]