Walton Ford « Arrested Motion

Tag Archives: Walton Ford

Whitewall Mag x Walton Ford Studio Visit

Posted by sleepboy, January 4, 2012

For those who were as enamored as we were with Walton Ford’s new King Kong-inspired work at a recent show in New York (covered), you may want to pick up the most recent copy of Whitewall Magazine. Not only does it feature multiple covers and a studio visit with KAWS, the winter issue also has photos of Ford in-studio as well as an interview. Another photo (taken by Jesse Shadoan) after the jump

Events: Editions|Artists’ Book Fair

Posted by AM Editor, November 13, 2011

A couple weekends ago in Chelsea, we attended this year’s Editions|Artists’ Book Fair, which brought together contemporary fine art print and art book publishers and dealers from around the world. There were so many amazing editions to see, including a new limited edition print by Fred Tomaselli created especially for this year’s fair. See all our pics from the fair, after the jump.

Openings: Walton Ford – “I Don’t Like to Look at Him, Jack…” @ Paul Kasmin

Posted by AM Editor, November 8, 2011

Last Thursday, Walton Ford opened his latest exhibition at Paul Kasmin, entitled I Don’t Like to Look at Him, Jack. It Makes Me Think of that Awful Day on the Island. Taking its name from the 1933 film King Kong, the show includes three Kong-sized works on paper, capturing the beast in several facial expressions. In addition, Ford displays a series of paintings that are more representative of his modern-naturalist style. Based off a quote from John Audobon’s memoirs in which he recounted a childhood [...]

Openings: Walton Ford @ Paul Kasmin Gallery

Posted by AM Editor, November 18, 2009

Last Thursday, Chelsea’s Paul Kasmin Gallery hosted the opening of an exhibition of new large-scale watercolors by Walton Ford. At first glance, those not familiar with Ford might mistake his contemporary works for those of 19th century naturalist and painter John James Audobon. The similarity is intentional. However, instead of merely cataloging species as Audobon did, Ford uses the familiar visual language of the well-known wildlife artist and other early natural history artists to depict historically-based allegories of the violent collision of man and nature. [...]