Tomorrow night (September 15th) in New York, Daniel Arsham will be opening a show at Galerie Perrotin entitled Circa 2345. The exhibition will be the locally-based artist’s 11th solo with the gallery, but his first in their NYC branch. As the title suggests, he will be continuing his signature brand of “fictional archeology” where current day objects are created in the way that future generations would see them when they unearth them. In this new body of work, Arsham has added colors to his normal black & white […]
Tag Archives: Daniel Arsham
On the cover of two new singles from Usher is artwork that fans might recognize if they are familiar with the work of Daniel Arsham. Featuring two views of a sculpture created in the signature future archaeological style of the Brooklyn-based sculptor, No Limit & Crash are both great examples of collaborations between music artists and fine artists. Usher apparently spent four hours sitting still while Arsham put him through the process of creating something that might be discovered in the the distant future, like the ruins […]
For Art Basel in Switzerland coming up in June, Daniel Arsham will be presenting his signature “fictional archeology” to fans and collectors in Basel with a twist. While mainly working in black and white in the past due in part to his colorblindness, the Brooklyn-based artist received specially made lenses that corrected this problem last year and has recently been experimenting with works in color. This set of basketballs were crafted out of Blue Calcite Crystal and represent how artifacts from our time might look in the […]
Daniel Arsham currently has on display his first solo presentation in Japan at Nanzuka Gallery in Tokyo, also his second in Asia following his show at Galerie Perrotin in Hong Kong last autumn (covered). Titled My First Show in Japan, Year 2044, the exhibition introduces his signature concept of “Fictional Archaeology” to local art lovers. Capturing the future from an archaeological perspective, his haunting pieces allow viewers to imagine the possibility of various everyday objects becoming artifacts of the future – from technical gadgets such as cameras, players, phones to “fossilized” humans themselves. […]
For out latest Rewind feature we are highlighting a video from INSA featuring his work with Pepsi in creating a moving peace sign (formed of painted cars) that can be seen from space. This particular form of art is right down the UK-based street artist’s alley as he has plenty of experience as the inventor of the Gif-iti series of works. Other notable videos include: Jeff Gillette working in the desert. Timelapse of Odeith at work. Daniel Arsham’s Future Relic 04. An online video installation […]
Another strong satellite fair seen during this year’s Basel Week Miami was certainly Untitled. Showing a diverse selection of contemporary works, the roster included 119 international galleries, not-for-profit exhibition spaces and institutions from over 20 countries. From familiar and well established names to young, new emerging talents from around the globe, the fair included paintings, installations, sculptures as well as performance art pieces. Aside from classic works by Barry Mcgee, Claire Rojas, Jen Stark, Daniel Arsham or Ed Moses, Untitled introduced us to some new names and fresh […]
On the 1st of December, YoungArts Foundation hosted a book release, signing, and exhibition by Daniel Arsham, one of the events surrounding Basel Week Miami. Fictional Archaeology is the NY-based artist’s latest book with the first copies signed and sold to visitors of his current show in Miami, The Future Was Written. Including some 2,000 chalk objects, typical Arsham future artifacts, this interactive exhibition invites visitors to use them to leave their own cave drawings or hieroglyphics. From sneakers, electronic gadgets to sport equipment and pilot helmets, the […]
Tomorrow (September 24), as part of YoungArts Awareness Day, sculptor Daniel Arsham has prepared a special interactive event in Miami. Similar to his current exhibition in Hong Kong (covered), the Brooklyn-based artist will have an installation of his “future relics” on display, with nearly 2,000 objects made of chalk that visitors can use to draw or write their impressions of the future. More info about the event and an opportunity to purchase tickets here. Discuss Daniel Arsham here.
Last week in Hong Kong, Daniel Arsham opened a new solo show entitled Fictional Archeology at Galerie Perrotin. Included were eroded sculptures featuring the human form inspired by the mummified remains from the volcanic eruption in Pompeii in 79 A.D, a contemporary look at how we may appear in the event of a similar disaster to future archeologists. Rounding out the show was a smaller version the installation seen last year in Miami (covered), a “future archaeological dig site” of modern day items like shoes, cameras, musical instruments, and phones made from chalk. […]
After installing a whimsical new installation in Washington DC with his Snarkitechture firm, Daniel Arsham has turned his attention to a more solo pursuit. Fictional Archeology sees the New York-based artist bring his signature technique of creating everyday objects as how they would appear if found by archeologists in the future to the Hong Kong branch of Galerie Perrotin on September 11th. Discuss Daniel Arsham here.