Today marks the public opening of Kehinde Wiley’s massive mid-career survey entitled A New Republic at the Brooklyn Museum. For this exhibition, the locally-based artist has a selection of Wiley’s World Stage paintings, which started in 2006, many of which feature his signature “street castings” – taking urban youths off the street and posing & dressing them like the upper crust of society in Renaissance and old master paintings. Rounding things out are a serious of bronzes, stained glass paintings, and smaller “altarpieces.”
Photo credit: Byron Smith and Chad Batka for The New York Times.
Discuss Kehinde Wiley here.
