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Tag Archives: Addam Yekutieli

Showing: “A Pathology of Hope” – Addam Yekutieli @ Gordon Gallery

Gordon Gallery in Tel Aviv is currently showing A Pathology of Hope, a major comeback solo from Addam Yekutieli aka Know Hope in his hometown after 4 years. The artist whose career started on the streets  when he was 18, is now back with his most recent and arguably strongest body of work which is presented as a large scale index of drawings, sculptures, found objects, texts, assemblages, and conceptual pieces. The entire gallery space is transformed into an encompassing installation in which Know Hope’s signature […]

Nuart 2017 / Murals (Part II)

We’re wrapping our reporting from Nuart festival 2017 with the 2nd part of the recap of all the public works created through Stavanger for this year’s event. These pieces make it obvious that Nuart decided to challenge the common idea of “street art” by inviting both the veterans as well as young blood, in order to present a diversity of possibilities and approaches when creating public art. One of the artists that definitely pushed that idea far beyond what’s familiar was Igor Ponosov with his Too […]

Nuart 2017 / “Rise Up!” group show @ TOU scene

As we previously mentioned, this year’s Nuart Festival was focused on artist that stand out with their public work in the way they interact with the observers, rather than create images from their visual language. This curatorial tendency became very clear in this year’s indoor exhibition @ Tou scene that opened on 2nd on September. Featuring works by all the participating artists hailing from 10 countries, this presentation once again showed how unique this event is on the global scale. Giving these artist an opportunity to […]

Streets: Nuart 2017 (Part I)

For their 17th edition Nuart festival took a significant and brave step away from producing an ordinary street art festival that results in series of beautifully colored facades. This year they’ve invited a carefully selected group of international artists and activists working in the public domain, more focused on using the public space to speak out, rather than “exhibit”. After 17 years of building a platform for network of artists, academics, journalists and other professionals surrounding the street art practice, as well as creating one […]

Showing: Addam Yekutieli (Know Hope) – “It Took Me Till Now to Find You” @ Lazarides

Last month, Lazarides Gallery opened a brand new show by Addam Yekutieli aka Know Hope. It Took Me Till Now to Find You is the Israeli artist’s second solo with the gallery, four years following his successful debut (covered). Taking a turn from his previous work, this exhibition is the result of a large project that he has been working on for the last several months. After years of creating a recognizable visual language that universally speaks of real-life situations and human struggle, this particular body of work is more personal and […]

Releases: Addam Yekutieli – “The Confidant” (Gold Edition)

Addam Yekutieli aka Know Hope recently released a new edition of self produced, hand-crafted necklaces titled The Confidant featuring his iconic bird symbol as a pendant. This was the first release of this kind that the Israeli artist has ever done, and the result is a lovely piece of jewelry wrapped in unique, carefully designed packaging. Each necklace set is entirely hand-crafted in his studio and by collaborators – from the silversmithing to create the molds, hand-finishing the pendents, to the hand printed boxes and the drawings […]

Showing: Addam Yekutieli (Know Hope) – “The Truth, As Told In Our Mother Tongue” @ Die Kunstagentin

As we previously reported, since May 26th, Die Kunstagentin gallery in Cologne, Germany has been hosting a solo by Addam Yekutieli aka Know Hope. For this showcase, the Tel-Aviv-based artist created an all new body of work strongly influenced by the refugee crisis. The Truth, As Told In Our Mother Tongue includes a large installation where recurring bird characters are flying towards a hole in a barbed wire fence. Symbolizing the painful journey of people escaping the horrors of war, this large work is juxtaposed against a smaller sculptural piece. Placed in […]